Pangea, where every form becomes part of a whole, is a super-aggregate of bodies in motion, in friction, and in continuous transformation. It articulates, through multiple declinations, the experience of an irrepressible human errancy. The particular restlessness, the sense of impatience, and the state of agitation that characterize human nature—especially within modern history—assume an organic form as agglomerations and fluid movements. From a personal interpretation of Le Diable au Corps by Raymond Radiguet, as in Pangea (2024), up to the attempt to pictorially grasp the synesthetic concept of the prelude, as in Battito (Slipaway)(2025) and Applauso (Slipaway)(2025), the works developed under the sign of Pangea revolve around this shared line of inquiry.
