My visual research unfolds at the threshold between physical and immaterial dimensions. I work by blending painting and drawing techniques, considering the graphic mark as foundational, both in research and in expression. The animated image and meticulous iconographic research are also integral to my process. Stratification, movement, and deconstruction become procedural languages through which complex emotional states are embodied and transformed.

Reflecting on the uncertain relationship between humanity, nature and reality is in my view an inevitable starting point for questioning the boundaries of the self within transformation, environment, and proprioception. The perpetual pursuit for escape, the impossibility of flight, or the experience of blindness act as metaphors for human tension between the sense limitation and the hope for transfiguration.

In particular, my practice draws inspiration from the symbolic and structural potential of organic forms, conceived through the merging of anatomies and morphologies, as in a pareidolic phenomenon. My engagement with anatomy is not descriptive, but perceptual and structural: a mutable sensitive territory where volume, gesture, and vision converge.